Associate Sans Stencil is a family of ten sans serif fonts with a stencil optic. Part of FontStore’s larger ‘Associate’ type system, Associate Sans Stencil is an extension of the Associate Sans design for use in headlines and logos. The letterforms in both Associate Sans and Associate Sans Stencil have a strong ‘American gothic’ look. That genre of typefaces has been popular since the early 20th-century, especially for designing publications and corporate identities. The Associate Sans Stencil letters are generally monolinear. The ‘stencil’ optic that the characters all have comes from breaks, or ‘bridges,’ applied to parts of each letter. If you were to create real stencils from these fonts, those would be necessary elements for maintaining each letterform’s stability. Associate Sans Stencil’s bridge-elements are not that wide, however. They do not detract from their underlying characters. Each of the family’s five weights – from ExtraLight through Bold – has a companion italic font available. These italic fonts are ‘obliques;’ they differentiate texts set in them by their slant. On FontStore, you can find all of the other font families from the Associate Type System, too, including Associate Slab, Associate Slab Stencil, and even Associate Sans Mono.

Associate Sans Stencil is designed by Jérémie Hornus and Alisa Nowak.
 

Family Name Associate Sans Stencil
Designer(s) Alisa Nowak, Jérémie Hornus
Release Date September 1, 2019
Available Style Extralight, Extralight Italic, Light, Light Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic
Classification Display, Sans
Supported Languages Afar, Afrikaans, Albanian, Aranese, Aromanian, Aymara, Azeri (Latin), Basque, Bemba, Bislama, Bosnian, Breton, Catalan, Chamorro, Cheyenne, Chichewa, Chuukese, Cofán, Cornish, Crimean Tatar, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Frisian, Friulian, Galician, Ganda, German, Gikuyu, Greenlandic, Guaraní, Guarani , Gwich’in, Haitian, Hawaiian, Hungarian, Icelandic, Ido, Igbo, Indonesian, Interlingua, Irish Gaelic, Italian, Javanese, Karelian, Kashubian, Kinyarwanda, Kiribati, Kirundi, Kituba , Kurdish (Latin), Ladin, Latvian, Lithuanian, Luxemburgish, Malagasy, Malay, Maltese, Maninka, Manx, Māori, Marshallese, Náhuatl, Nauruan, Navajo, Ndebele (Northern), Ndebele (Southern), Norfuk , Norn, Norwegian (Bokmål), Norwegian (Nynorsk), Nyanja, Occitan, Oromo, Otomi, Palauan, Papiamento, Pedi , Polish, Portuguese, Quechua, Rarotongan, Rhaeto-Romanic, Romaji, Romani, Romanian, Sámi (Inari), Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Sango, Sardinian, Scottish Gaelic, Serbian (Latin), Seychelles Creole, Shona, Silesian, Slovak, Slovene, Somali (Latin), Sorbian, Sotho, Spanish, Swahili, Swati, Swedish, Tagalog (Filipino), Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tsonga, Tswana, Turkish, Tuvalu , Twi, Ulithian, Umbundu , Veps, Vietnamese, Welsh, Wolof, Xhosa, Zulu

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Associate Sans Stencil
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Grumpy
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One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin.
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He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. The Metamorphosis is a short story, sometimes regarded as a novella, by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world.
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