Baro is a family of seven sans serif fonts. Its style is geometric, and its letterforms are all-caps. Some the Baro fonts can be layered overtop of one another, for chromatic typesetting. The base style of the family is the Baro Plain font; all of its characters are comprised of thick, monolinear strokes. Baro Plain can be used on its own as a very heavy geometric sans, or it can be the placed as a base behind other Baro fonts (chromatic typesetting relatively simple to do in Adobe Creative Suite applications: just repeat the same text on multiple layers, use a different font on each layer, and make the text on each layer have a unique color). The characters in the Baro LineOne font are made up of very thin strokes. The letters don’t sit on a consistent, either, but rather bounce up and down along the line of text. In Baro LineTwo, each character is drawn with two parallel strokes – an outline and an inline, with a thick hollow counter space between them. Baro LineThree just is like Baro LinoTwo, but with thicker strokes. Baro LineFour is a stand-alone font; its characters each have thin inline strokes in the center of their ‘background’s’ thick monolinear strokes. Baro Contour is yet another font like Baro LineTwo, except that its parallel strokes are even thinner. Finally, Baro Strip is a prismatic version of Baro, which can either stand alone or combine with Baron Plain. In Baro Contour, the ‘strokes’ of each letterform are made up of five parallel lines.
| Family Name | Baro |
|---|---|
| Designer(s) | Julie Soudanne |
| Release Date | March 26, 2018 |
| Available Style | Contour, LineTwo, LineThree, LineFour, Strip, Plain, LineOne |
| Classification | Display, Sans |
| Supported Languages | Afar, Afrikaans, Albanian, Aranese, Aromanian, Aymara, Azeri (Latin), Basque, Bemba, Bislama, Bosnian, Breton, Catalan, Chamorro, Cheyenne, Chichewa, Chuukese, Cofán, Cornish, Crimean Tatar, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Frisian, Friulian, Galician, Ganda, German, Gikuyu, Greenlandic, Guaraní, Guarani , Gwich’in, Haitian, Hawaiian, Hungarian, Icelandic, Ido, Igbo, Indonesian, Interlingua, Irish Gaelic, Italian, Javanese, Karelian, Kashubian, Kinyarwanda, Kiribati, Kirundi, Kituba , Kurdish (Latin), Ladin, Latvian, Lithuanian, Luxemburgish, Malagasy, Malay, Maltese, Maninka, Manx, Māori, Marshallese, Náhuatl, Nauruan, Navajo, Ndebele (Northern), Ndebele (Southern), Norfuk , Norn, Norwegian (Bokmål), Norwegian (Nynorsk), Nyanja, Occitan, Oromo, Otomi, Palauan, Papiamento, Pedi , Polish, Portuguese, Quechua, Rarotongan, Rhaeto-Romanic, Romaji, Romani, Romanian, Sámi (Inari), Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Sango, Sardinian, Scottish Gaelic, Serbian (Latin), Seychelles Creole, Shona, Silesian, Slovak, Slovene, Somali (Latin), Sorbian, Sotho, Spanish, Swahili, Swati, Swedish, Tagalog (Filipino), Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tsonga, Tswana, Turkish, Tuvalu , Twi, Ulithian, Umbundu , Veps, Vietnamese, Welsh, Wolof, Xhosa, Zulu |
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Grumpy
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One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin.
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He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. The Metamorphosis is a short story, sometimes regarded as a novella, by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world.