Following up on our successful Diodrum Latin and Diodrum Arabic families, Diodrum was further extended to support Cyrillic and Greek. The Diodrum Greek family has six styles ranging in weight from Extralight to Bold. Each font’s character set has 457 glyphs, including a full Latin character set and support for Monotonic Greek glyphs. Diodrum Greek is a generally monolinear design; the x-height is tall, and its counterforms are large and open. Instead of straight lines, the typeface’s diagonals swell outward, giving letters with prominent diagonals increased dynamism. Diodrum’s Latin-script characters are ‘spurless,’ meaning that the transitions from their stems into their curved strokes are smooth. Many of the Greek letters have in and outstrokes that might look a little like spurs, but these improve Diodrum’s appropriateness for the Greek script. Diodrum’s Latin and Greek harmonise well together; they each have the same treatments of their stroke terminals, for instance, and they set a similar colour in text. Due to the multiple weights and its friendly look, Diodrum Greek is an excellent choice for use in Corporate Design and UI/UX Design applications.
Family Name | Diodrum Greek |
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Designer(s) | Alisa Nowak, Jérémie Hornus |
Release Date | September 21, 2016 |
Available Style | Extralight, Light, Regular, Medium, Semibold, Bold |
Classification | Display |
Supported Languages | Afar, Afrikaans, Albanian, Aranese, Aromanian, Aymara, Azeri (Latin), Basque, Bemba, Bislama, Bosnian, Breton, Catalan, Chamorro, Chichewa, Chuukese, Cofán, Cornish, Crimean Tatar, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Frisian, Friulian, Galician, Ganda, German, Gikuyu, Greek, Greenlandic, Guaraní, Guarani , Gwich’in, Haitian, Hawaiian, Hungarian, Icelandic, Ido, Igbo, Indonesian, Interlingua, Irish Gaelic, Italian, Javanese, Karelian, Kashubian, Kinyarwanda, Kiribati, Kirundi, Kituba , Kurdish (Latin), Ladin, Latvian, Lithuanian, Luxemburgish, Malagasy, Malay, Maltese, Maninka, Manx, Māori, Marshallese, Náhuatl, Nauruan, Navajo, Ndebele (Northern), Ndebele (Southern), Norfuk , Norn, Norwegian (Bokmål), Norwegian (Nynorsk), Nyanja, Occitan, Oromo, Otomi, Palauan, Papiamento, Pedi , Polish, Portuguese, Quechua, Rarotongan, Rhaeto-Romanic, Romaji, Romani, Romanian, Sámi (Inari), Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Sango, Sardinian, Scottish Gaelic, Serbian (Latin), Seychelles Creole, Shona, Silesian, Slovak, Slovene, Somali (Latin), Sorbian, Sotho, Spanish, Swahili, Swati, Swedish, Tagalog (Filipino), Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tsonga, Tswana, Turkish, Tuvalu , Twi, Ulithian, Umbundu , Veps, Vietnamese, Welsh, Wolof, Xhosa, Zulu |
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Grumpy
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One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin.
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He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. The Metamorphosis is a short story, sometimes regarded as a novella, by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world.