Passenger Display is a high-contrast “modern” or Didone-style font family. It is intended for use in headlines, signs, or posters – any place where you need to set large, elegant-looking type. Passenger Display takes the idea of early-nineteenth century types – vertical axes of stress, combined with ball terminals – and dials up the stroke-contrast and degree of sophistication. It features serifs that thin gradually into fine lines and points. The family is ready for use in editorial design and corporate communications projects. Passenger Display includes seven weights, ranging in style from Extralight through Extrabold. Each weight has both an upright font and an italic on offer. The fonts’ default numerals are proportionally-spaced lining figures. Via the OpenType features, there are also oldstyle figures and tabular figures available, as well as a full range of numerators and denominators for typesetting fractions. The ascenders of the lowercase letters rise up above the tops of the capitals. In the upright fonts, the ‘a’ and the ‘g’ are double-storied. In the italics, they are single-storied. Each font includes 13 f-ligatures. Passenger Display has a companion typeface available for larger-sized applications: Passenger Text. Passenger Display and Passenger Text can be used together to powerful effect in magazine layouts, or in exhibition design graphics.. The Passenger families were designed by Diana Ovezea and Samo Ačko.
Family Name | Passenger Display |
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Designer(s) | Diana Ovezea, Samo Ačko |
Release Date | August 20, 2018 |
Available Style | Extralight, Extralight Italic, Light, Light Italic, Regular, Italic, Medium, Medium Italic, Semibold, Semibold Italic, Bold, Bold Italic, Extrabold, Extrabold Italic |
Classification | Serif |
Supported Languages | Afar, Afrikaans, Albanian, Aranese, Aromanian, Aymara, Azeri (Latin), Basque, Bemba, Bislama, Bosnian, Breton, Catalan, Chamorro, Cheyenne, Chichewa, Chuukese, Cofán, Cornish, Crimean Tatar, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Frisian, Friulian, Ga, Galician, Ganda, German, Gikuyu, Greenlandic, Guaraní, Guarani , Gwich’in, Haitian, Hawaiian, Hungarian, Icelandic, Ido, Igbo, Indonesian, Interlingua, Irish Gaelic, Italian, Javanese, Karelian, Kashubian, Kinyarwanda, Kiribati, Kirundi, Kituba , Kurdish (Latin), Ladin, Latvian, Lithuanian, Luxemburgish, Malagasy, Malay, Maltese, Maninka, Manx, Māori, Marshallese, Náhuatl, Nauruan, Navajo, Ndebele (Northern), Ndebele (Southern), Norfuk , Norn, Norwegian (Bokmål), Norwegian (Nynorsk), Nyanja, Occitan, Oromo, Otomi, Palauan, Papiamento, Pedi , Polish, Portuguese, Quechua, Rarotongan, Rhaeto-Romanic, Romaji, Romani, Romanian, Sámi (Inari), Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Sango, Sardinian, Scottish Gaelic, Serbian (Latin), Seychelles Creole, Shona, Silesian, Slovak, Slovene, Somali (Latin), Sorbian, Sotho, Spanish, Swahili, Swati, Swedish, Tagalog (Filipino), Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tsonga, Tswana, Turkish, Tuvalu , Twi, Ulithian, Umbundu , Veps, Vietnamese, Welsh, Wolof, Xhosa, Zulu |
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Grumpy
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One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin.
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He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. The Metamorphosis is a short story, sometimes regarded as a novella, by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world.