Khang is a sans serif family that is part of Shiva Nalleperumal’s investigations into monolinearity in type design. In this typeface, he fuses a monolinear sans’s structure with a kind of stroke modulation more common to broad-nib calligraphy. The Khang family has six weights that range from Extralight to Bold; even in the Extralight weight, the design’s stroke contrast is maintained. Khang is suitable both for long, comfortable reading and interesting display use. Its lowercase letters have a tall x-height, most strokes end with either horizontal or vertical lines, and all letters have open counterforms. Khang offers a few OpenType features that may prove helpful for Corporate Identity and Editorial designers: each font includes alternate single-storey “a” and “g” forms. These are accessible via a stylistic set in InDesign or in CSS, or as via the stylistic alternates feature in Illustrator. Khang also includes 15 f-ligatures, plus a “tt” ligature.
Typographica 2015
Selected and reviewed by Nina Stössinger for Typographica's Favorite Typefaces of 2015
Family Name | Khang |
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Designer(s) | Shiva Nallaperumal |
Release Date | December 25, 2015 |
Available Style | ExtraLight, Light, Regular, Medium, SemiBold, Bold |
Classification | Sans |
Supported Languages | Afar, Afrikaans, Albanian, Aranese, Aromanian, Aymara, Azeri (Latin), Basque, Bemba, Bislama, Bosnian, Breton, Catalan, Chamorro, Cheyenne, Chichewa, Chuukese, Cofán, Cornish, Crimean Tatar, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Frisian, Friulian, Ga, Galician, Ganda, German, Gikuyu, Greenlandic, Guaraní, Guarani , Gwich’in, Haitian, Hawaiian, Hungarian, Icelandic, Ido, Igbo, Indonesian, Interlingua, Irish Gaelic, Italian, Javanese, Karelian, Kashubian, Kinyarwanda, Kiribati, Kirundi, Kituba , Kurdish (Latin), Ladin, Latvian, Lithuanian, Luxemburgish, Malagasy, Malay, Maltese, Maninka, Manx, Māori, Marshallese, Náhuatl, Nauruan, Navajo, Ndebele (Northern), Ndebele (Southern), Norfuk , Norn, Norwegian (Bokmål), Norwegian (Nynorsk), Nyanja, Occitan, Oromo, Otomi, Palauan, Papiamento, Pedi , Polish, Portuguese, Quechua, Rarotongan, Rhaeto-Romanic, Romaji, Romani, Romanian, Sámi (Inari), Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Sango, Sardinian, Scottish Gaelic, Serbian (Latin), Seychelles Creole, Shona, Silesian, Slovak, Slovene, Somali (Latin), Sorbian, Sotho, Spanish, Swahili, Swati, Swedish, Tagalog (Filipino), Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tsonga, Tswana, Turkish, Tuvalu , Twi, Ulithian, Umbundu , Veps, Vietnamese, Welsh, Wolof, Xhosa, Zulu |
200 pts
Headline
42 pts
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin.
16 pts
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. The Metamorphosis is a short story, sometimes regarded as a novella, by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world.