As a follow-up to our popular Volte Devanagari and Volte Latin families, Volte Rounded adds five additional fonts to this series. Volte Rounded is a geometric sans serif typeface with rounded stroke endings. These aren’t softened-up corners, but rather full-on sausage-style terminals. Aside from geometry, reduction is the biggest principle behind Volte Rounded’s design. Volte Rounded’s letterforms are low-contrast, even in the bolder weights. The high degree of design simplification is even visible in the typeface’s diacritics and punctuation marks. Because Volte Rounded’ proportions are so geometric, the outer shapes of letters like ‘C’, ‘D’, ‘O’, ‘c’, ‘o’, etc. are very similar. The exterior curves of the ‘O’ and ‘o’ are close to being perfect circles, too, as are many of the typeface’s counterforms. In each font, the letter-spacing settings reflect the counters’ sizes; this means that the advance widths of the Bold’s characters are actually narrower than those of the Light. Volte Rounded’s numerals are narrow so that they easily fit into strings of either uppercase or lowercase text.
| Family Name | Volte Rounded |
|---|---|
| Designer(s) | Shiva Nallaperumal |
| Release Date | September 21, 2016 |
| Available Style | Light, Regular, Medium, Semibold, Bold |
| Classification | Display, Sans |
| Supported Languages | Afar, Afrikaans, Albanian, Aranese, Aromanian, Aymara, Azeri (Latin), Basque, Bemba, Bislama, Bosnian, Breton, Catalan, Chamorro, Cheyenne, Chichewa, Chuukese, Cofán, Cornish, Crimean Tatar, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, French, Frisian, Friulian, Galician, Ganda, German, Gikuyu, Greenlandic, Guaraní, Guarani , Gwich’in, Haitian, Hawaiian, Hungarian, Icelandic, Ido, Igbo, Indonesian, Interlingua, Irish Gaelic, Italian, Javanese, Karelian, Kashubian, Kinyarwanda, Kiribati, Kirundi, Kituba , Kurdish (Latin), Ladin, Latvian, Lithuanian, Luxemburgish, Malagasy, Malay, Maltese, Maninka, Manx, Māori, Marshallese, Náhuatl, Nauruan, Navajo, Ndebele (Northern), Ndebele (Southern), Norfuk , Norn, Norwegian (Bokmål), Norwegian (Nynorsk), Nyanja, Occitan, Oromo, Otomi, Palauan, Papiamento, Pedi , Polish, Portuguese, Quechua, Rarotongan, Rhaeto-Romanic, Romaji, Romani, Romanian, Sámi (Inari), Sámi (Lule), Sámi (Northern), Sámi (Southern), Samoan, Sango, Sardinian, Scottish Gaelic, Serbian (Latin), Seychelles Creole, Shona, Silesian, Slovak, Slovene, Somali (Latin), Sorbian, Sotho, Spanish, Swahili, Swati, Swedish, Tagalog (Filipino), Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tsonga, Tswana, Turkish, Tuvalu , Twi, Ulithian, Umbundu , Veps, Vietnamese, Welsh, Wolof, Xhosa, Zulu |
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Grumpy
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One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin.
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He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. The Metamorphosis is a short story, sometimes regarded as a novella, by Franz Kafka, first published in 1915. It has been cited as one of the seminal works of fiction of the 20th century and is studied in colleges and universities across the Western world.